Aloha, kama'aina! Here's what home looks like now. Whatever happened to global warming??
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This is the second decade of the 21st century, and even though flying cars are sill in the wish-list, some cool things are already out. This lamp for example. What can be more futuristic than drawing out light with your hands? Having been shown at Imm Cologne last week, Rima desk lamp by Dreipuls became a huge hit. Its innovative mechanism contains a series of LED lights, that are controlled by sliding rings along the metal rail. The rings are detected by the optical sensors, and the light emerges. The item had won the prestigious red dot award in 2010.
Found these two this morning.
command + \
try using it on a bulleted list...
enter (on the num pad)
try using it on a bit of text in a multi column text box.
These two work in both indesign and quark.
My life has been changed.
This elegant lightweight piece designed by Léonard Kadid, who gave us a notion of a lamp we need to co-create. Yes, you read me correctly. The lamp does not exist without our input, for it has no base. We are invited to provide our own base in a form of a book. Which is fun as well as pragmatic, because this concept eliminates unnecessary manufacturing costs. Made out of a single piece of plywood bent in two places, Bookmark Lamp is as minimalistic as can be. And since the choice of a book is up to us – interactive too.
Dan Yamamoto - @thenameisdan
@studioneu - Art Director -
A new friend has been changing my life.
With her in mind I made this piece.
Think I plan on making this a series of seven.
We shall see.
Dan Yamamoto - @thenameisdan
@studioneu - Art Director -
I'm going to come clean with you. I’ve become brand saturated and blogged out. In my quest to keep up with, and influence, the evolving “body of knowledge,” I’ve been increasingly subjected to a bunch of babble about brands and branding. Everything from what a brand actually is to the critical importance of brand names and brand positioning.
And it has been coming from everywhere; from authors and the media to academics and agencies. Here’s a recent NY Times Media & Advertising article headline (no, it's not a headline from The Onion):
“AOL Revamping Its Logo, Hoping to Revive the Brand”
All I can do is shake my head and wonder. So here are my seven wonders of branding (as in, I wonder why these dated concepts still flourish in these postmodern times):
1. Positioning
Here’s how Ries and Trout defined positioning in their seminal book of the same name:
“The basic approach of positioning is not to create something new and different, but to manipulate what's already up there in the mind, to retie the connections that already exist.”
And that may have worked well twenty-seven years ago when product and service options were a fraction of what they are today and people were still influenced by propositions like, “We try harder.” People today are better informed, hyperconnected and marketing savvy. We’ve been trained to be highly skeptical of any type of company communication or claim.
Which makes ours an era of action, not talk. We expect you to prove your pitch with new, exciting and relevant products, services and business models. We’re living in a marketplace driven by creativity and innovation. The concept of branding is a much more dynamic idea. Sticking to your knitting, and trying to persuade people with clever advertising and image-building campaigns, is a sure route to the retirement home.
2. A brand is a promise
This particular babble makes plain that a brand is an identifiable entity that makes specific promises of value. If this is true, then customers of the brand should be able to articulate those promises. Right? Because that’s how they differentiate between -- and ultimately choose -- brands. Isn’t that so?
So what’s the unique brand promise of Nike? Nike what? Pick one: glasses, golf ball, soccer shoes, sweatshirt. How about BMW? The Z4, M6i Convertible, Mini Cooper? The brand promise of the NFL is different than the NBA, MLB, and NHL in what way precisely?
A brand is NOT a promise (Please don’t tell me that people are buying the Mini because of the promise of German engineering. Most people think it’s a British car). A brand is a performance. It’s about arousing people’s emotional drives through a unique expression of those emotional drives -- with the cool design of a Mini, the stellar service experience of a Zappos, the cultural immersion of a Nike, etc.
3. Be consistent and repeat . . . repeat . . . repeat
The rationale behind this bit of jabber? The customer’s mind needs to be repeatedly exposed to a message (I’ve read everything from at least five times to nine plus) for it to cut through the marketing clutter. Plus the fact that repetition helps build familiarity, which in turn helps build credibility.
It is true that mere exposure to something results in a more positive attitude toward that thing. But running the same ad -- or mailing the same piece -- month after month is simply shallow and unimaginative. Like many of the impersonal, scripted remarks of service personnel. “How was your stay?” “We appreciate your business. We know you have a choice.” “Would you like fries with that?”
Sure, an emotionally provocative message may touch a chord with a customer . . . the first time. The tenth time, it touches a nerve. And that’s no way to build a relationship.
4. Top of mind awareness
This piece of brand wisdom is tied directly to the previous one and is closest to the dated, classical idea of branding. It goes like this: If we can burn our name and proposition into our audiences’ minds, then when the desire arises they’ll automatically think of – and choose -- us! Brain autopilot. Click. Whirrrr.
I have news for you (perhaps). The age of branding as brainwashing is over. I can hear it now: “Come on, Tom. For habitual buying, which occurs when involvement is low and difference between brands is small, top of mind awareness is key.”
You know, you may be right. Or maybe, low price is key. Either way, I wouldn’t want to take my customer relationships for granted and hope that my product or service category remains low involvement and undifferentiated.
5. Personal branding
It was management guru Tom Peters who started the personal branding noise with an essay that appeared in Fast Company in 1997 under the title "The Brand Called You." Peters wrote:
“. . . think of yourself differently! You're not an ‘employee’ of General Motors (ooops, bankrupt), you're not a ‘staffer’ at General Mills, you're not a ‘worker’ at General Electric or a ‘human resource’ at General Dynamics (ooops, it's gone!). Forget the Generals! You don't ‘belong to’ any company for life, and your chief affiliation isn't to any particular ‘function.’ You're not defined by your job title and you're not confined by your job description. Starting today you are a brand.” [Smart aleck emphasis mine].
With all due respect to Tom’s rant, he was right about one thing: In today’s rapidly changing world, jobs are NOT for life. But neither are companies, relationships or brands. In the article, Tom points to Arthur Anderson as a “model of the new rules of branding at the company and personal level.” Hey Tom! Ooops, they’re gone too!
Consultants, authors and personal coaches have jumped all over this buzzword and have in essence rebranded Dale Carnegie-like success secrets as “Personal Branding.” With a little dedication (time, money, and a Flip video camcorder), you too can become an Oprah, Madonna, or Donald Trump (although I’m not really sure why you’d want to be). Or perhaps a social media rock star.
Do yourself a favor. Dump this self-involved concept and get back to being a caring, passionate, curious, human being. Go out into the world and do something to help improve the lives of others. You’ll enjoy life a hell of a lot more, and -- as a bonus -- you’ll probably make more money in the process. Success isn't about self-promotion. It's about passion for the possible; sensitivity and caring for people; the willingness to try new things, to take risks, to learn and to grow; and a self-deprecating sense of humor.
6. Brand inside
I understand this one. I simply don’t believe in it. The grounds for creating this brand adjective gibberish are that executives by and large ignore their internal audience (employees) when developing and executing branding campaigns (Hey CEO! It’s strategy, not a campaign). As a result, employees end up undermining the expectations set by the company.
So now we need a distinction to get executives to understand the importance of organizational alignment? Of getting everyone to live the brand? Or . . . do consultants need the distinction to position and sell their services? You know, I suppose one could also draw a distinction between the retail outlet outside and the retail outlet inside. That way, employees who work inside the store can be conditioned to rush right past gum wrappers in the parking lot on their way to their real jobs.
7. Brand logic (with a focus on USP, UVP or what ever you want to call it)
And last but not least on my notorious list, a return to rational, features and benefits marketing (Déjà vu all over again). A scientific sales mentality brimming with arguments, metrics, dollarization, etc. Irresistible logic. “How can you NOT be persuaded to choose my brand? I’ve proven it to you the way that one proves a theorem. Are you stupid, or what?”
This is direct marketing gone mad. You can find it on web sites, in brochures, sales letters and presentations, infomercials . . . you name it! You know when you come across it, because it always begins with a rhetorical question (we really shouldn’t call such questions rhetorical, because they don’t enhance the persuasive effect. Stupid or manipulative comes to mind); e.g. “Do YOU want to lose your shirt in real estate? If not . . . blah, blah, blah.”
Look. Branding today can only work through ideas that customers WANT to connect with. People can neither be hypnotized with media images nor cajoled with flowery prose. You must truly understand their pain, speak their language, and be felt like a part of their inner world of hopes and dreams.
The old world of branding was similar to an adolescent’s view of love. It was about gazing into each other's eyes and being dazzled by the reflection. Today, great branding is about a mature love. It’s about standing side by side in a trusting relationship with both sets of eyes focused on the horizon of life’s amazing possibilities.
I'm not entirely sure what direction 2010 will take me, but I'm pretty sure that I'm giving up on the tired concept called "brand."
Been doing allot of research and thinking about branding lately.
Everyone and there little brother "does branding".
Everyone has a different idea of what "branding" actually is.
It seems that anyone who knows how to use photoshop claims that
they offer branding to the world.
To me, the perception of Branding, now is similar to the perception of graphic design.
Everyone Claims to be able to "do Graphic Design".
Apparently it's easy. People undercharge for garbage work and
everyone seems to have a different definition of what exactly
graphic design is.
From what I understand, in my short 7 years of graphic Design experience,
I would say graphic design is strictly the act of communicating a message, clear and concise with no interpretation. There is and should be a clear purpose to "graphic design" and the goal is to explain, move, create emotion, what ever it may be.
On the other side, most of the people that "do graphic design" have no idea's behind their work. No goals. No thought. They did it because it looked good or was trendy.
I enjoy these pieces of art, but that's what they are, art.
Branding seems the same to me. Anyone who can create a logo does branding, but Branding seems to be so much deeper.
I am working on studying branding, learning from anyone and everyone I can, hoping to get an unbiased understanding of it and then hopefully be able to come to a educated conclusion to what branding actually is.
Wish the world wasn't full of so much garbage. But then again, I guess that's why it's enjoyable, finding that one diamond in the rough.
Post your thoughts and Ideas on branding. I will be following up in the future with interviews with anyone I can that has an influence and even those that are new to the game. Branding is wild, and I am hoping to learn.
Ad2Tampa Bay's December AdTalks will be featuring Debra Faulk.
She will be talking on how a monster company is able to relate and have a local Presence. Should be an awesome event. Super stoked for this, if you guys want to check it out, you can RSVP here.
Back when I didn't know better, the world was so much simpler.
So much easier.
Dan Yamamoto - @thenameisdan
@studioneu - Art Director -
Here is a pretty decent collection of businesscards, although I have seen most of em already it's the biggest collection on one post I've seen.
http://logodesignerblog.com/creative-business-cards-design-inspiration/
Get inspired.
This guy's hand done design with influence with American Modern culture and pop icons all in a black and white. This guy excites me.
Nike Digital
Fitting in Before Breaking ThroughJoin us for an inside look at how the Nike brand reaches out to consumers by fitting their lives.
JIM HORD is a Creative Director/Copy Lead on the Nike account at R/GA in New York City where he oversees projects for Nike+, NIKEiD, Nike Basketball, Nike Women and Nike Running. Jim will talk about Nike’s digital strategy of talking to consumers by first creating platforms that fit in to people’s lives. Then by breaking through with campaigns that resonate with this already-eager audience.
Jim began his career as a designer, graduating from the University of Denver with a B.A. in Graphic Design. But he soon found his true passion to be on the other side of the table as a writer. So he used his design skills to put together a portfolio that landed him his first job as a Copywriter at DDB Dallas. There, he worked on accounts such as FootAction, NCAA Football, The Dallas Mavericks, EPA Energy Star, The Dallas Morning News and Tabasco. He quickly rose through the ranks, eventually becoming the youngest Creative Director in the DDB network at the age of 25.
Looking for an escape from the Texas heat, Jim headed north to New York and Young & Rubicam, where he created award winning work for the NFL, MetLife and Sony. In 2003, seeing the shift in the advertising landscape, Jim became Executive Creative Director of Brand Buzz, an integrated agency that brought ideas to life across multiple channels for clients such as LG Electronics, Plymouth Gin and Sunkist Soda. Jim was soon sought out to bring some integrated thinking back to the traditional world at Lowe, where he oversaw the GMC Truck & SUV account. Ultimately, the digital world beckoned and in 2007 he took his current position at R/GA. Jim’s work for Nike+ recently garnered him a 2009 Silver Lion at Cannes, a Bronze One Show Pencil and several Webby Awards.
Date: Thursday, November 19th
Time: 11:30 am - 12:00 pm Registration and Networking
12:00 pm - 1:30 pm Healthy, Nutrituous Lunch and Program
Where: Fit2 Run, International Plaza (Please park over by the Cheesecake Factory and walk through Bay Street)
Cost: $25 for Active Members; $0 for Corporate Members; $35 for Non-MembersTo register, click here or call 813-879-8223.
Directions for Registration:
Members: Log in to www.aaf-tampabay.org. If you need your login information, email sarah@tbaf.org
Non-Members: Register at www.aaf-tampabay.org by either creating a new login account or using the quick registration feature. If you have registered for a AAF Tampa Bay event before on-line, you should already have a username and password.If you have any questions, please email sarah@aaf-tampabay.org.
We look forward to seeing you there!
Location Provided By:
So excited to attend this. Hope you guys join!
Dan Yamamoto - @thenameisdan
@studioneu - Art Director -The stink of decay wasnt as bad as the sound from the insects, screaming. (Taken with instagram)